This is a past exhibition.

For A New Face in Hell, Sebastian Thomas draws inspiration from the mythological fable of the Golem, a being constructed of inanimate material that often ends up becoming uncontrollable. Amongst layered ceramic grids, poured foam panels and laser-cut shapes are a host of cast metal body and face amalgamations. Through this build up and transformation of materials Thomas’ work attempts to set the stage for a retelling where reality and narrative merge, a breeding ground for semi-fictional objects, places and protagonists.