Rhubaba presents Still life with flying objects, a group exhibition that brings together new and existing work by artists including Tim Dodds, Susie Green, Emma Hart and Susan Mowatt.

Jennifer Bailey’s practice explores and questions the permeability of art production 
to patriarchal structures, desire, capital and paid work.

And to you is a sound installation responding to the cultural context of the area, acoustic properties of the site and key concerns of the artist’s practice.

The German artist, Joseph Beuys (1921—1986), is perhaps best known for his ‘actions’, installations and sculpture, but primarily he was interested in ideas: ideas about how the world, both natural and social, functioned and how the latter could be improved. He expressed these ideas most readily in his drawings.

Jupiter Artland is pleased to exhibit the first outdoor commission by French artist Caroline Mesquita, the artist’s first solo institutional exhibition in the UK.

Endnotes is part of the MAP Footnoting the Archive project curated by guest editors Suzanne van der Lingen and Claire Walsh.

Episodes from the history of art will be retold and relocated.

A UK premiere exhibition of new commissions and existing artwork by Toronto artists Matt Donovan and Hallie Siegel, that explores the enduring legacy of print that continues to shape how we communicate – even as we launch ourselves into a digital future.

The Clock in Commune is a multi-screen video installation developed by artist Helen McCrorie for The Glasite House; an A-listed former worship house of the Glasite religious sect.

The Scottish Endarkenment engages with a varied range of demanding topics from ever-escalating communal and international conflicts, social inequalities and consumer materialism to threatened gender identities, filial tension and sexual prejudices.

The work of Jo Spence continues to influence and inform debates on photography.

Jonathan Owen’s work involves the systematic transformation of readymade objects and images. He is interested in making by reducing and removing, and in the controlled collapse of existing objects as a method of production and reactivation.

Born in 1967 in Mexico City, Damián Ortega is one of the most prominent artists of the new Mexican generation. His work prioritises action over object, seeking to call attention to the dynamism of the world around us, and the hidden poetry in 
the everyday.

Eclectrc Panoptic teases back layers of cognition, reflecting New Zealand born artist Jess Johnson’s interest in science fiction, alternative universes and the slippery nature of perception and reality.

Using familiar and commonplace objects, Tompkins’ works explore the language of paint and the experience of the ready-made.

Collective are working with artists Simon and Tom Bloor to create a sculptural viewing tower to look into the City Observatory site while it is in its initial stages of development during August 2016.

Exploring slow travel and bringing together artists who undertaken long distance journeys.

Internationally acclaimed artist and printmaker, Barbara Rae CBE RA RE, presents an extraordinary collection, part-retrospective, part contemporary; 
a record of time passing, an intimate study of human habitation by ancient and modern societies that live off and work on the land.

The Subject and Me tells the story of the turbulent events that shaped Alice Neel’s life through a retrospective of drawings and selection of late paintings.

Edinburgh College of Art’s (ECA) campus comes alive with a wide range of work by staff, students and guests.

Beverley Hood’s new project Eidolon, explores the relationship between the body and technology, and the effect it has on our perception of what it means to be human and alive.

Giving voice to the things around us, artist and comedian Siân Robinson Davies will present Conversations, a new audio work.

The Taylor Wessing Photographic Portrait Prize 2015 is the leading competition celebrating the very best in contemporary portrait photography from around the world.

ANGL Collective with Baha Görkem Yalim and Petter Yxell use the dramatic backdrop of the port of Leith to create a stage for unexpected things to happen.

Reproductive! is an exhibition of new and reconfigured existing work from Scottish artist Kenny Hunter that explores the implications of emerging digital technology for sculptural processes.

Christian Boltanski will present two installations in The Steadings Gallery and The Goldsworthy Room alongside a new permanent, outdoor installation. Shadow Theatres (Théâtre d’ombres) is a series developed by the artist across different moments since 1984.

The Number Shop presents Goulash, a hot and heavy summer stew.

A talk and screening programme for Edinburgh Art Festival of works selected by Kimberley O’Neill

I still believe in miracles celebrates the thirtieth anniversary of the world renowned and influential exhibitions programme at Inverleith House, which has included some of the most memorable exhibitions ever staged in the UK.

NEO BRUTES by Dennis & Debbie Club is a 360° VR installation at the City Art Centre that re-imagines remnants of Scottish Brutalist architecture as the headquarters for an utopian movement.

As an international movement, Concrete Poetry began in the early 1950s. Avoiding the descriptive agenda and discursive flow of conventional verse, it was defined by one of its founders, Eugen Gomringer, as ‘a constellation’ or ‘a play-area of fixed dimensions’.

William Gillies and John Maxwell were among the most significant Scottish artists of the 20th century.